developed as the acting lessons from Logoi? On 2nd Academic year in-service training was also the acting classes throughout the year through continuously performed ie at 1 1 / 2 days a month and made within the project of 2 weeks.
In preparation for it developed the two lecturers (Renate Pflästerer Gela and Gordon), a concept of teamwork. Thematically, we wanted to focus on the development of human consciousness. From the world of ancient Greek and Norse in the first year we wanted to take the path through the Middle Ages to modern times. Goethe's Faust is a representative of this path that leads the man in the loneliness of the spirit of distance, but also in the way of the free spirit, who is on his own and in dealing with the evil that he in self-knowledge as tendencies in the finds itself, and to overcome, new ways achieves the divine.
We were able to getting into the braid human relations in the fist ken remarkable that it is often with them to aspects of a personality who meet objectified in this drama.
It was our goal to enable all students at least 2 opposing leads. It turned out that we arrived almost all scenes. In this process, the acting training by Michael Chekhov was deepened, allowing to find the psychological gesture and movement center stage figure and make it an "imaginary body" to the characteristic design language. Depth perception through artistic work was able to penetrate into the deeper levels of truth and the staging of the play in the dialogue to develop with the students.
provides linguistically and dramatically, this drama with great challenges, but also a unique opportunity to internalize this literary world of art. It is also interesting for 11 women and 1 man to make many male character roles in Faust!
The government divided the piece in the scholar's tragedy to witches' kitchen and the Gretchen tragedy, so we could rehearse in parallel, which was still a logistical challenge! In the first week of January 2010 we have been able to venture a parastatal run sample, which was the audience sees as promising .
was accompanied to the samples of Corinna and Ralf Gleide (Dunlop Institute) the development of the sensation, mind and soul awareness culture through the humanities, biographies compiled a very stimulating seminar table. Ute Basfeld led by the historical development of Faust in Goethe's biography in the form of vivid reference to the creation of the drama.
gave us for the musical improvisation Chris Kumpf valuable suggestions as to the design of the prologue in heaven.
after Easter at the end of the 2nd Project week held its 2.Durchlaufprobe with costume, stage picture, and music, so we did win a sensation for the whole (there will be over 4 hours of play time) and constitute both the "holes" which are yet to come-the tasks. Very refreshing and artistic proves surprisingly very positively to the change of actors in virtually every scene!
near and valuable is the fist time this has become in the students, they suggested, the final performance of "Do you know the fist" to name! This takes place on Saturday 10th July at 16:00 until about 22:00 in the auditorium of the School of anthroposophic education in Mannheim.
We look forward to many viewers!
